Sunday, November 10, 2013
Mini movie review: Much Ado About Nothing (Joss Whedon version)
This iteration of Shakespeare's clever play is a mixed bag. It's beautiful, shot in gorgeous black and white, the characters swanning around Whedon's stunning home wearing lovely clothes and drinking cocktails and wine. Seriously: I don't think Amy Acker's Beatrice is ever shown without a drink in her hand. The problem, of course, lies with the fact that many of these actors have never done Shakespeare before and some of them struggle with it, reciting their lines but seeming not to know whereof they speak. Clark Gregg is quite good as Leonato, and Reed Diamond and Acker acquit themselves fairly well. Fillion is very funny as the buffoon Dogberry but many of his line readings are mushy; similarly, Lenk speaks so softly that you can scarcely tell what he's saying. Denisof as Benedick and Kranz as Claudio are passable but they play everything extremely angry ... until Benedick decides he's in love and then Denisof is just a goofball.
This version suffers mightily in comparison to Kenneth Branaugh's MAAN, which for me remains the definitive popular movie version (even with Keanu Reeves as Don John.) Still, it was fun to see all the Whedon-show alums and certainly a pleasant enough way to spend 100 minutes.
Wednesday, May 23, 2012
Thoughts on The Avengers
- Joss Whedon is, has been, and will always be my master.
- I loved the giant, floating, armored space moray eels!
- Always nice to see some Whedonverse alums getting screen time: Enver Gjokaj (from Dollhouse), Ashley Johnson (from two S1 episodes of Dollhouse) and Alexis Denisof (apparently he was one of the alien dudes in the movie, but we all know him from Buffy, Angel and Dollhouse).
- I'm thinking of going on Kickstarter to raise money to get Jeremy Renner and Mark Ruffalo to do a pillow fight. How much you think it'll take?
- Mmmmmmmm - Jeremy Renner and Mark Ruffalo in a pillow fight ...
Monday, April 16, 2012
Mini movie review: The Cabin in the Woods
Written by Drew Goddard and Joss Whedon (frickin' dream team right there!) and directed by Goddard, The Cabin in the Woods is not the scariest horror flick ever, but it is certainly one of the cleverest and it is absolutely one that anyone who calls themselves a horror fan should see. Yes, there's a cabin in the woods - straight out of Evil Dead. Yes, there are five classic horror film characters - the slut, the jock, the sensitive guy, the fool and the virgin - but they are all actually developed characters, not shallow tropes, and you care about them. Yes, there are zombies and people acting stupidly, but there are reasons for all of it. TCitW is funny, jumpy and bloody, it explores horror movies and why we like them. People are either going to get it and love it, or they're going to miss the point and wonder why there weren't more boobs and/or beheadings. For the record, there are both boobs and beheadings.
The cast too is fantastic. There's Chris Hemsworth, pre-Thor. There's Bradley Whitford and Richard Jenkins, lending an air of respectability. There are Whedon alums a-plenty with Fran Kranz, Amy Acker and Tom Lenk. And MILD SPOILER there's a killer unicorn. What more do you need?
Seriously, if you like horror movies at all, you'll like this movie. If you are a Whedon or Goddard fan, you'll like this movie. Me, I thought it was great fun and I plan to buy it when it comes out on DVD - the last thirty minutes are completely batshit crazy and I need to watch it many more times before I'll come close to taking it all in. Go see it, and quickly before you get spoiled on it.
Tuesday, August 24, 2010
Book review: Missing Joseph by Elizabeth George
For example, take Missing Joseph, the novel I most recently finished, and sixth in the Lynley series. A vicar is murdered in a remote Lancashire village. That's the mystery to be solved. But the only reason Lynley is working on this case is because his best friend, Simon St. James, and St. James's wife Deborah (Lynley's ex-flame/fiancee), are having marital difficulties - she wants a baby but can't carry to term due to an botched abortion early on; he wants to adopt but she wants "her own child"- and have gone to Lancashire to see said vicar, now deceased, for counselling. There is quite a lot of time spent weeping and wailing and breast-beating with Deborah and St. James that has nothing pertinent to do with the vicar's murder.
In addition, Lynley has recently convinced Lady Helen Clyde to be his lover, but she's not entirely on board, fearing being hurt by the former playboy, plus her family thinks she's a flighty girl who needs to settle down. Lynley is all angsty and longing and blue balls (when he's not getting laid) and it's quite frankly tedious. I don't care about the romantic entanglements among these entitled upper class Brits - I want them to stop mooning about and focus on the murders.
Even stolid, dependable, sarcastic Barbara Havers gets pushed to the side for most of this book, shunted off on one or another field trip, ostensibly doing "research" for the case but really just put out of the way so the author can write more love scenes. Blech.
If I wanted to read chick lit, I'd read Short Girls by Bich Minh Nguyen (which I actually am reading but only because I'm between books and have nothing else on hand) or that insufferable Eat Pray Love (which I actually have read and thought it was okay as a travelogue but ... really? Am I supposed to be able to connect with this entitled woman who is rich enough to run away from her life for an unpaid year just because she thinks her heart is broken? And then finally ends up with the perfect man as the prize to her hedonistic year? Double-blech). I don't want to read chick lit. I want to read British murder mysteries (when I'm not reading historical fiction or swords-n-sandals fantasy or Neil Gaiman). And Elizabeth George is just not serving up a full helping anymore.
Saturday, May 22, 2010
Bringing you up to speed
On an entirely other note, is it my imagination or has Glee just been knocking it out of the park lately? I don't watch it when it airs or even DVR it, but I do keep up on Hulu. Last night I saw the latest two episodes and they were largely, although not uniformly, fantastic. First, "Laryngitis" with Finn's adorable cover of "Jessie's Girl" and Kurt's tour de force showtune performance that made me applaud the computer screen. And then, omigod, the Joss Whedon-directed "Dream On," guest-starring Neil Patrick Harris! While I couldn't care less about the Rachel-wants-to-meet-her-birth-mother storyline (the show has done way too good a job making that girl annoying), Matthew Morrison and NPH's titular Aerosmith duet was absolutely incredible and sweet Artie's wonderful flash-mob "Safety Dance" number made me grin while my heart was breaking. Bravo, Glee.
Wednesday, December 16, 2009
The not so long goodbye
And you can catch them on Hulu.com if you miss them on Friday nights. I myself am guilty of that what with a DVR still MIA from the mousehold. But I've watched the last four episodes in the last two days and highly recommend them. I think I'm actually going to go back and watch E6 ("The Left Hand") again, mostly because Enver Gjokaj (the Doll Victor) is a revelation. I really hope this kid gets more work and soon. Gjokaj is a gifted impersonator (impressionist?) and his scenes with Fran Kranz (Topher Brink) are nothing short of brilliant: Topher, sent out of the Dollhouse on a mission, imprints Victor with his own brain scan so he can hold down the fort back at the lab; Victor's mimicry of Topher is uncanny and hilarious.
Thursday, October 29, 2009
Aw, I wish the DVD player was hooked up
It's Firefly references, y'all! Long live Firefly. (And then a few minutes later, some murder victim gets staked in a cemetery and Castle drops a Buffy reference too.) So now I'm all nostalgic and want to watch old Whedony t.v. shows. If I only remembered what box my DVDs are stuffed into out at the self-storage place.
Monday, August 17, 2009
Dollhouse episode review: "Epitaph One"
It's a classic science fiction piece, post-apocalyptic, set in 2019 and flashing back to 2009 and the years between. The flashbacks tell, in tantalizing fragments, the story of the Worst Possible Scenario for the evolution of the Dollhouse's imprinting technology. This episode gave a huge amount of backstory that had been glossed over during the regular season, while at the same time moving the universe forward. Everything in "Epitaph One" is connected to something else. There is nothing in it that doesn't mean something.
The acting was a cut above the regular season too, largely due to the fact that Eliza Dushku was scarcely onscreen at all for "Epitaph One." Amy Acker and Felicia Day rock the hell out of their roles (although FD is given the worst dialogue), and the newcomers more than hold their own. Little Adair Tishler (formerly known as "Molly the Hero-finder" from Heroes) is just incredible. I expect great things for her career.
I read that "Epitaph One" has been iTunes's #1 download, which is possibly what FOX's marketing department was going for; I myself watched it on DVD. Hopefully the rave reviews and #1 spot will encourage FOX to keep supporting this show - which I really believe is only going to get better and better as it goes - I just wish they'd aired it as well so the widest possible audience could have gotten a glimpse.
Thursday, March 12, 2009
Lost without Lost
- Dollhouse is improving with each episode and word has it that around the E5 or E6 mark, we'll actually get some Whedonish game-changing/long-arc plotting. Add in some trademark humor and I'm totally sold.
- I watched the Castle premiere on Monday: it was ... fluffy. Many critics/reviewers have likened it to Moonlighting and I can absolutely see the connection - crime-solving light with sexually-tensioned banter between the good-looking co-stars. The biggest plus with Castle: Nathan Fillion. Who continues to be adorable and who is, by all accounts, a Really Nice Guy in real life. I hope this show is his vehicle to real stardom.
- I'm almost done reading Neil Gaiman's American Gods. The worst thing is that I'm almost done reading Neil Gaiman's American Gods.
- This little blog has received a prestigious award! Details to follow!
Thursday, February 12, 2009
In Joss we trust
Monday, December 29, 2008
Gentlemen, start your DVRs - Part Deux
Welcome back, faithful reader! Have you had enough sugarplums and latkes to tide you over ‘til next year? I’m sorry to report that I got neither books nor DVDs for Xmas nor got to the movie theater, so I don’t have any new reviews or recaps for you. Bad blogger, bad! Pluswhich I have found that there’s not enough eggnog in the world to compensate for the absolute dearth of quality television on right now (thank goodness for USA’s House marathon this last weekend –I don’t even watch that show ever but I’ve been in such a cranky mood that I really identified with the misanthropic main character).
What I do have is a rundown of the new and returning television shows that I’m excited about and hopefully you are too. While I am mourning the loss of Pushing Daisies, and True Blood is gone ‘til next time, there are still a few bright spots on the horizon:
- Scrubs – returning 1/6/09 (Tues) on ABC, 9 PM. I think this show has jumped the shark but may have occasional sparks of funny.
- My Name Is Earl – returning 1/8/09 (Thurs) on NBC at 9 PM.
- How I Met Your Mother – returning 1/12/09 (Mon) on CBS at 8:30 PM.
- Battlestar Galactica – returning 1/16/09 on SciFi (Fri) at 10 PM. BSG is back – yay! Last season – boo!
- Fringe – returning 1/20/09 (Tues) on Fox at 9 PM. I’m going to stick with this one for the time being but if I have to cut back on recaps, it’ll be the first to go - consider yourselves warned.
- Lost – returning 1/21/09 (Wed) on ABC at 9 PM. Where (when) did that Island go? And do you think Jack will shave this season?
- Burn Notice – returning 1/22/09 (Thurs) on USA at 10 PM. More Bruce Campbell and less Gabrielle Anwar, please.
- Heroes – returning 2/2/09 (Mon) on NBC at 9 PM. The only good thing about the cancellation of Pushing Daisies is that maybe Bryan Fuller can fix Heroes.
- Dollhouse – new/midseason replacement, starting 2/13/09 (Fri) on Fox. Joss Whedon bravely returns to television. Everyone please watch.
- Castle – new/midseason replacement, starting 3/9/09 (Mon) on ABC. Nathan Fillion (!!) stars (!) as a mystery novelist who helps cops solve crimes that seem to be based on his books.
- Harper’s Island – new/midseason replacement, starting 4/9/09 (Thurs) on CBS. I don’t know much about this one except this blurb from Television Without Pity: “A family travels to an island for a wedding, but there's a murderer among them.” Supposedly a wedding party member gets killed off each week as they try to solve the mystery. We’ll see.
Friday, December 19, 2008
Did you know ...
I saw some great t-shirts today: Kick Like a Girl (soccer), Ride Like a Girl (equestrian), You Wish You Could Ski Like a Girl (obvious). They're by a Maine company, Be A Girl Today, and the online store has t-shirts, bumper stickers, bags, etc. Hip colors and unfussy graphics. Good stuff.
Although poor, brilliant, gorgeous Pushing Daisies is gone, we have Lost (Jan 21), Battlestar Galactica (Jan 16) and Dollhouse (Feb 13) to look forward to. A little shirtless Jamie Bamber will go a long way to comforting me in my PD grief.
The splendiferously extra'ed Dr. Horrible DVD is for sale exclusively on Amazon. The commentary is sung, y'all - it's a musical within a musical. If Mr. Mouse hasn't gotten it for me for Christmas, you just know I'm buying it myself on 12/26. (You can get it yourselves using that little Amazon box over there to the right.)
And finally for today: Rumor has it that a live action Cowboy Bebop movie is being developed. And rumor also has it that Keanu Reeves wants to play Spike Spiegel. To which I say: NOOOOOOOOOOOOOO!!!! And to which Friend of the Blog Kevin C. says:
Keanu Reeves as Spike??? It…would….be….awful…dude... Keanu together again with Sandra Bullock as Faye? Sarah Jessica Parker as Julia? Wishbone as Ein?
Heh: Sarah Jessica Parker as Julia. That's excellent. While we're at it, maybe Jack Black as Jet? Ugh. The horror. I have to go listen to the outstanding series soundtrack now and calm down.
Monday, July 21, 2008
Oh, the humidity!
It's enough to drive a girl to drink - so here's a new recipe, compliments of my California Cousin and her husband: David's Deadly Snowflakes:
On a non-alcoholic front, I've seen some stuff lately that merits a mention:
- Dr. Horrible came, conquered my heart and then tore it out, per usual with Mr. Whedon.
- The latest Heroes webisode is up now - not as good as the first one but very splattery!
- I saw the newly released on DVD Batman anime, Gotham Knight: I'm sure people who know anything about anime will really appreciate it but I just liked it for the stories. (Kevin C. is loaning me The Animatrix to up my anime exposure.)
- I discovered The Guild online, season 1, created by and starring Felicia Day ("Penny" from Dr. Horrible) - hee hee hee!
- I watched S2E2 of Burn Notice and S1E2 of Flashpoint and deemed both better than the initial offerings.
- I finally finished Cowboy Bebop: The Movie. Outstanding fight scene between Spike and Vincent in the finale. I only wish I hadn't dragged my feet on watching it - I scarcely remember the series's stories and I think that would have added to my Bebop movie experience.
- I did not fight the crowds to see The Dark Knight this weekend. I have a feeling it'll be around for a while and will catch it when some of the hullaballoo has quieted down.
Friday, July 18, 2008
Have you been Horrible today?
It's only around for free on the internets until Sunday. Acts I and II are up and running; Act III goes live tomorrow. Get it while it's Horrible!
Sunday, July 13, 2008
Heroes something to whet your appetite
In "Going Postal," the first series of Heroes webisodes, users will get an early glimpse of a new character with special powers and watch his destiny begin to unfold. The fast-paced, twist-filled web series sets fans on a path that leads to the explosive premiere of the third season of Heroes on NBC this fall. In the first webisode, "A Nifty Trick," Echo DeMille, an everyday mailman, discovers a startling ability that quickly makes him a target. In the second webisode, "The Houseguest," posting on July 21st, Echo races home to protect his girlfriend Gina, and finds deadly uses for his new ability. In the third webisode of this installment, "Let's Talk," which posts on July 28th, Echo sends Gina off to safety while he confronts his enemies, but the tables turn with an unexpected twist.
This is me: While I think the last thing this show needs is more new characters (!), they definitely need to do something to drum up some interest - so good. I'll watch.
Also: Dr. Horrible is almost upon us as well!
Wednesday, July 2, 2008
Dr. Horrible is coming!
Part One will go up on Tuesday, July 15th
Part Two will go up Thursday, July 17th
Part Three will go up Saturday, July 19th
And it all will be gone after midnight on Sunday, July 20th, so get there while you can!! After midnight on 7/20 it will be available somewhere for download/$$ and the DVDs with extras will be coming out fairly soon thereafter - but watch it online as
If you are a fan of any of Neil Patrick Harris, Nathan Fillion, Joss Whedon's work (Buffy, Angel, Firefly, etc.), musicals or sticking it to the man by alternative means of entertainment, you owe it to yourselves to see Dr. Horrible's Sing-Along Blog.
Friday, June 20, 2008
Firefly episode recap: “Trash” (E11)
72 hours earlier: a bunch of scruffy folks are moving goods around in the middle of the night. Monty, a big burly smuggler, comes up and gives Mal a warm welcome. Mal notices that Monty has shaved off his enormous beard; this is because Monty’s new wife, Bridget, didn’t like it. Monty calls for Bridget to introduce her to his buddy Mal. The fetching Mrs. Monty shows up and she and Mal point their guns at each other immediately. She's Saffron, ginormous boobs and all. Monty: “So, you guys have met.”
After the credits, Mal and Saffron/Bridget have some ugly fisticuffs until Monty pulls them apart and demands an explanation. Mal gives a brief synopsis of “Our Mrs. Reynolds” and Monty is displeased, taking his ship and leaving her behind. God, her breasts are huge. I’ll stop saying that now, but they really are. She tries to sweet-talk Mal a bit but he shoos her away. As she saunters off, she plays her last card: she’s got the specs for an extremely lucrative heist.
When Serenity and the crew arrive to pick up their captain and the goods, they want to know why Mal’s nose is all bloody. He is not in the mood to answer questions. He does get cleaned up and stops by Inara’s shuttle, as requested. She looks particularly lovely and offers him tea. He is immediately suspicious of her hospitality, accusing her of using her wiles against him and asking her to speak plainly. So she does: he needs to take some jobs on worlds where both of them can work – she hasn’t had a client in three weeks. Things deteriorate quickly (he suggests that he’ll stay out of her whoring and she’ll stay out of his thieving) and they snipe at each other until feelings are hurt. Finally, she accuses him of not being after serious work any longer. Mal leaves, dander up, and goes straight to the cargo hold where he unlocks a crate. Inside is a rumpled Saffron. He wants to know about her extremely lucrative heist.
Saffron and Mal present the plan for the heist to the rest of the crew: stealing a valuable gun from an uber-wealthy and shady Alliance-friendly citizen, Durin Somebody. She has the security access codes, Durin’s schedule, the layout of his home … Wash raises his hand with a question: “What’s she doing on this ship?!” Everyone sniggers. Mal settles things down. The reason why Saffron needs a team to help her is because the gun is tagged and coded and alarms will go off when it crosses a doorway. This is clearly a job for more than one –
“Dupes,” says Inara, interrupting. She and Saffron hiss at each other a bit and just to spite Inara, Mal takes Saffron’s side. Kaylee eagerly takes the disks with the blueprints to start looking for a way in, Wash assisting. Mal asks Zoë’s opinion, seeing how she hasn’t weighed in yet. She thinks the heist sounds rich enough, but she just doesn’t trust Saffron. Mal promises he’ll be with Saffron every minute on the inside. Saffron smirks at Zoë: “See, hon? All it takes for you to be a rich woman is to get over it.” Zoë cocks an eyebrow and slugs Saffron, knocking her to the ground. “Okay, I’m in.”
Some time later, Jayne is doing something that allows him to be in a room with River and Simon. River thinks that Saffron is a liar and can’t be trusted; Jayne thinks that generally speaking, all womenfolk can’t be trusted; River points out that “Jayne” is a girl’s name. Jayne bristles, saying that if “she starts in on that ‘girl’s name’ thing, I’ll show her good and all I got man parts!” and sticks his hand down his trousers for emphasis. Simon: “I’m trying to think of a way for you to be cruder, but it’s just not coming.” Jayne leaves and River stares after him, murmuring bemusedly, “[He’s] afraid, since Ariel. Afraid we’ll know.” Simon goggles at his omniscient sister.
Zoë and Inara meet each other in the corridor (Saffron eavesdropping from behind a bulkhead) and Inara warns Zoë not to trust Saffron at all. She doesn’t want to know any of the details of the job – she’s got her own appointments with clients as soon as they “hit atmo” – but she wants the crew to be very careful.
Wash expositions about the planet they’re on, playground of the rich and paranoid. The wealthy inhabitants have man-made islands of their own, hovering over the oceans. There’s lots of security. Saffron and Mal take the shuttle as Serenity approaches and land a ways from the main house. There’s a big party this weekend and they pretend to be hired help, getting inside with no trouble.
The trick is getting the gun out when it’s tagged for alert if it crosses entry/exit points. Kaylee and Wash have discovered, however, that each island estate has its own automated rubbish system whereby drone shuttles systematically take away the refuse bins. The genius plan is to throw the gun down the garbage chute and, after Kaylee reprograms the bin to a different destination, the drone will take the bin (and the gun) away for them with the security none the wiser.
So, while Mal and Saffron make their way to the booty, Wash hovers Serenity just under the garbage bin. Jayne and Kaylee, on safety lines, climb out onto her roof to access the bin’s programming. They’re both wearing goggles and hilarious hats with earflaps; Kaylee also has on a very cute quilted jacket. Jayne does something wrong and is zapped by something electrical. The crew drags him back into the ship and Simon looms - “I’ll take care of him.”
Mal and Saffron find the gun, on display in a virtual museum of “Earth That Was” artifacts – like a phone booth, a piano, candelabra, etc. Suddenly, they are surprised by Durin, the estate’s owner. “You!” he points at Mal, and then Saffron turns and Durin finishes, “… brought back my wife!” Saffron is quite the polygamist! Durin is truly grateful and overjoyed and seems to be sincerely in love with Saffron (er, “Yolanda,” as he knows her). She’s been gone for six years. Durin scurries off to get some money as a reward and as soon as he’s gone, Saffron snaps at Mal, “We don’t have time.” And they get back to stealing the gun.
Just as Mal liberates the gun, Saffron draws her own and points it at him. Totally untrustworthy! And then, of course, Durin comes back. As he and Saffron argue, Mal backs away unnoticed and drops the gun down the garbage chute. (Just in time, Kaylee finishes reprogramming the garbage bin and the drone swoops down to take it away.)
Durin’s heart is breaking as he asks how long she and Mal have been together. Mal sputters his denial and Saffron smirks, “He’s my husband.” “Well, who in the galaxy ain’t?” squawks Mal. After some more taunting by his wife, Durin tells the two that he notified the feds as soon as he saw her: “I didn’t think you’d come back here for me.” Mal grimaces. Saffron kicks Durin in the head, knocking him out. Mal grabs her by the arm and they make dash for it, feds in hot pursuit.
They just barely make it to the shuttle and beat feet out of there. Saffron is a little sad and sniffly about seeing Durin (who really is a decent man), but it’s a ploy and she soon has Mal’s gun out of his holster. She lands the shuttle in the desert and tells him to strip. He protests, then smugs that no matter what she thinks of him, she won’t catch his crew with their pants down.
“Can’t turn,” remarks Wash nervously. Something’s wrong with Serenity. Bottom line, per Kaylee: they won’t make the rendezvous – they have to land now. Cut to Saffron zooming away in the shuttle and Mal, buckass nekkid (yay!), screaming after her, “You dirty, dirty whore! … Yeah, you better run!”
A short time later, Saffron is up to her hips in garbage. Her hair is slimy and she is pawing through the waste and not finding the gun. That’s because Inara, looking fab-u-lous, has it trained on her from a nearby escarpment. “What are you doing here?” grouches Saffron. Inara is all, oh, just my part of the job: where I make a big scene, storm off, wait for you to double-cross everyone, beat you to the rendezvous spot and get the loot before you do … “[y]ou didn’t see it coming?” Tee hee – apparently the whole crew has been in on it since Mal let Saffron out of the crate.
Back on Serenity, Jayne is in a neck brace in sickbay. He can’t move his arms or legs. Simon plays with his head for a bit, then saying the paralytic will wear off in a couple of hours. In the mean time, Simon would like to know how much Jayne was offered for the Tam siblings. Jayne sputters. Then Simon tells Jayne to remember something: whenever Jayne is on Simon’s surgery table, as he may be often, due to their dangerous line of work, even though’ he will be at the doctor’s mercy … he can trust that Simon will take care of him. Point made, Simon leaves. River pokes her head into sickbay: “Also, I can kill you with my brain.” Jayne looks nervous. Heh.
And then we’re back to naked Mal, perched on his rock in the desert: “Yeah, that went well.” Inara strolls up. She doesn’t think it went all that well, really, if she was only supposed to be the fail-safe in case everything else went wrong. Nonsense, says Mal, you had a very important role and wouldn’t you have been sad if you couldn’t have taken part? “Heartbroken,” she smiles.
While they talk, we get a lovely shot of Nathan Fillion’s bare butt - let me pause here for just a moment. Okay, we’re back. As Mal walks aboard his ship, Inara totally sneaks a look at his ass. How could she not? He gives everyone their orders – only Kaylee is not discomfited by his nudity – and then smiles, satisfied, “A good day!”
Friday, April 4, 2008
Firefly episode recap “Ariel” (E9)
Later, in the infirmary as Simon stitches up Jayne’s chest, the wounded man is wild, irate, insisting that Mal toss the Tam siblings off at Ariel before someone else gets hurt or killed. Mal refuses, saying that they’re part of the crew, but after Jayne storms out the captain tells the doctor that his sister must be confined to her room at all times now. “She’s getting worse, isn’t she?” Mal asks, knowing the answer. Simon is no liar. “Yes,” he admits.
Jayne and Mal play horseshoes in the cargo hold, trying to figure out how to get some paying work without leaving the ship. Simon walks up and says that he’ll be the client – he knows a job they can do. He holds up some antibiotics and narcotics that he had in his med-kit, explaining the outrageously high street value of the drugs. Simon says (hee!) that the pharmacies at the Ariel hospital are full and he can tell them how to steal the drugs. This is the payment. The job: help Simon get River into the diagnostic ward so he can scan her to see what the Alliance Academy did to her. The crew is sold.
Blah, blah, blah – Simon lays out the plan. He’s a pretty good planner for not having done much crime before. Kaylee and Wash head to the junkyard to pick up pieces of salvage and also an old ambulance that they retrofit. Jayne procures uniforms, ID badges and entry cards. The hardest part (and a very funny bit) is Simon rehearsing Mal, Zoë and Jayne’s lines: they have to be convincing EMTs. “Pupils were fixed and dilapidated,” tries Mal. “Dilated,” corrects Simon. And so on.
Another tricky part is convincing River to go along with the plan. Simon and his sister will put themselves into faux-comas so that the “corpses” can be brought into the hospital. She is frightened but ultimately trusts him, tears in her eyes as he gives her the shot.
Wash lands their ambulance. Zoë, Mal and Jayne load the coffins onto gurneys and wheel them into the hospital. No one looks twice and an administrator sends them down to the morgue. Once there, Mal injects the Tams with the wakeup drug. Jayne is to wait in the morgue for the siblings to wake up as Zoë and Mal head off to load the now-empty coffins with the drugs. Jayne doesn’t wait, however, and goes out to a monitor in the hall. He contacts an Alliance officer: he’s going to turn the Tams in for a reward. Bad Jayne! When he gets back to the morgue, Simon and River wake up, coughing and vomiting from the aftereffects. Jayne tosses them their disguises and they head out.
Meanwhile, en route to the drug stash, Zoë and Mal run into a little trouble with an uppity doctor … until Zoë knocks him out. They get to the drug lockers and load up. Hilariously, Mal has written on his arm the drugs he’s supposed to take. Looks like they get a pretty good haul. Leaving the unconscious doctor behind, they wheel their booty back to the faux-ambulance.
In the diagnostic lab, Simon lays River down for the imaging scanner. He learns that the Academy had operated on his sister’s brain, over and over again, altering it: she has no filter for her feelings; she feels everything full-strength all the time. Sneaky Jayne then tells Simon that the plan has changed and they have to leave now. River screams but they put her in a wheelchair and head out.
An Alliance patrol captures them very shortly, putting handcuffs on all three. When the siblings are led away, Jayne quietly asks if this is for show; the officer snarls that he’s being arrested for aiding and abetting known fugitives. Jayne is incredulous, “What about my rutting money?” The officer says, “You mean my money for apprehending three fugitives?” The guards zap Jayne with a cattle prod and knock him down. A little later, as they sit in detention, Simon thanks Jayne for all he’s done, not knowing the bigger man’s actual role. River starts babbling and Jayne starts reading into her nonsense, getting more and more nervous and twitchy.
Speaking of nervous and twitchy, Mal, Zoë and Wash are worried that the others aren’t back yet. They get prepped to go in after their missing crew. Wash, seeing a sleek new spaceship landing, urges them to hurry, as it appears “reinforcements” have arrived.
Two guards lead the Tams and Jayne away; even handcuffed, it doesn’t take that long for Jayne and Simon to take the guards out. It’s a pretty brutal fight and Jayne ends up snapping one of the guards’ necks. They uncuff each other and River starts to wig out. “They’re here.”
They are indeed here: two very creepy men wearing blue gloves (one of these actors has had a recurring role in both BtVS and Angel – Joss likes to reuse good people) who are displeased that the detaining officer spoke with the Tams. They bring out a little wand-gadget and soon blood is gushing from the officer’s eyes, nose, ears, nail beds and mouth. He dies, as you might imagine, as do the other guards.
River, Simon and Jayne hear the guards’ screaming – it’s awful. River starts to chant, panicked, “Two by two, hands of blue,” and the three of them start to run. The hands-of-blue men follow. It’s that great horror convention where the prey is running but can’t get away from the predators who are just walking - I expect more from a Whedon show, really. Just as the three are about to be captured, Mal and Zoë rescue them. Yay! Back to Serenity!
In front of everyone, Simon effusively thanks Jayne again for all his help. When the accolades have been bestowed, Mal sends the crew all off to do their chores, asking Jayne to help him stow the cargo. After the rest have dispersed, the captain whacks Jayne on the head with a wrench, knocking him out. Uh-oh. Mal’s figured out Jayne’s betrayal and he is pissed!
A groggy Jayne comes to as Serenity is lifting off. He looks around: Mal has locked him outside of the ship’s bulkhead (?) and then opens the hatch a little, saying that they used to keelhaul traitors but since he doesn’t have a keel getting Jayne sucked out into space will just have to do. Jayne is terrified and begs to be let back inside. He explains “The money was too good, I got stupid … What are you takin’ it so personal for? It’s not like I ratted you out to the feds?” “Oh, but you did,” menaces Mal, “You turn on any member of my crew, you turn on me … you did it to me, Jayne, and that’s a fact.”
Mal turns away, prepared to leave him out there to his death, and Jayne asks one last question: what are you going to tell the others about why I died? When Mal pauses, Jayne asks him to “make somethin’ up – don’t tell ‘em what I did.” At that actual display of remorse, Mal closes the exterior ship’s door, saving a relieved Jayne and telling him, “Next time you decide to stab me in the back, have the guts to do it to my face.” The captain does, however, leave Jayne stuck in the outer cargo deck to stew a while, ignoring the “can I come in?” plea.
Simon brings River another shot, a cocktail he’s put together after studying her brain scan. She demurs, saying that she doesn’t want to go to sleep again. “No, mei-mei,” he reassures her, “It’s time to wake up.”
Next episode/previous episode
Tuesday, April 1, 2008
Where has all the television gone?
Most exciting pop-culture thing of late: an official site and "poster" for Doctor Horrible's Sing-Along Blog. Here's the fan site where they're just all giddy about it (even more than I).
Finally, Blockbuster.com has been shipping me Season 3 of Battlestar Galactica - o frabjous day! I would love to recap BSG but it's just so dense that each recap would be a mile long. Instead, I highly recommend that you rent, borrow or buy the DVDs, beginning with the SciFi Channel's miniseries and then straight on through Seasons 1, 2 and 3. Incredible, wonderful stuff. And - hee hee! - at the start of Season 3, they've buried the pretty face of Jamie Bamber under a ton of obesity prosthetic: Apollo's fat!



