Fifteenth Annual FMS Scarelicious October Movie Series: #17 Mandy

Editorial note: I watched this one because my name is Amanda, although I do not like the nickname "Mandy" for myself.  But I felt I was honor-bound to check this one out.

Red (Nicolas Cage) and Mandy (Andrea Riseborough) live a peaceful life in a cabin in the woods.  She is an artist and he is a lumberjack, proficient with a chainsaw.  This will be important later.  They have a close relationship, they talk to each other.  Their cabin is awesome.  It all comes apart when Jeremiah, the leader of a hippy-ish religious cult, takes a shine to Mandy and decides to add her to his harem.  The cult invades the cabin, drugging her and beating the snot out of him.  When the out-of-it Mandy laughs at Jeremiah, however, they kill her - horribly - right in front of Red.

And now comes the unhinged Cage everyone was waiting for.  He frees himself, sources a crossbow and forges his own axe (which, to be honest, looks like the one from BtVS S7).  First he takes out the demon (?) biker gang that helped Jeremiah, then he does some coke and LSD.  And then he goes after Jeremiah's little cult.

This too-long, weird fuckin' movie is unlike anything I think I've ever seen.  Described as an "action-horror-dark fantasy," it is very darkly lit and difficult to see at times.  The first half, even when Red and Mandy are happy, seems ominous.  It's been compared to the visualization of a heavy metal album, where the dark and foreboding first half is Red and Mandy's descent into hell, and the second half is Red's blood-soaked journey back.  It is very, very violent and bloody, but almost cartoonishly at times: there is a chainsaw fight.  The musical score is fantastic and adds a lot to the movie.  And there's one scene with Cage alone in his bathroom that, while seemingly over the top, is actually really well acted.  He is a man destroyed.

Fifteenth Annual FMS Scarelicious October Movie Series: #16 Smile

Another newish horror movie!  These just aren't my usual jam but I read that the brand new Smile 2 is even better, so I thought I should watch the OG first.

Dr. Rose Cotter, a psychiatrist at an emergency psych clinic, gets a new, quite disturbed patient. Laura is seeing things - a being that speaks to her whilst wearing other people's forms and smiling terribly.  Laura has a psychotic break and kills herself horribly, right in front of Rose, dying with a rictus smile on her face.  Rose is understandably freaked and her boss (played by Kal Penn) tells her to take a week to rest and recover. She does, but then she starts seeing things: people smiling terribly at her, telling her terrible things.  She doesn't know if it's family history of mental illness coming through or something else even worse.  SPOILER ALERT: it's worse.

Rose starts seeing smilers everywhere.  She can't trust herself or other people and all her relationships - fiance, family, work, her own therapist - start to suffer.  The only person who halfway believes her is ex-BF Joel (played by Kyle Gallner) who is a cop.  Rose convinces Joel to do some research and they find that this whatever it is seems to be spread by trauma: an "infected" person kills themselves in front of a witness, and the infection spreads to that witness.  And repeat.  Kind of like It Follows without the s3x.

Smile was pretty good and plenty scary; for me, I ended up not watching a bunch of it, either taking my glasses off or peeking out from behind my fingers, especially when Rose was alone in her house at night.  After The Empty Man, I need to take a break from movies where scary things rush out at people from the dark.  Give me monsters!  That said, I will definitely be watching the sequel when I can get it.

Fifteenth Annual FMS Scarelicious October Movie Series: #15 The Empty Man

 Well, that was weird.  

The Hulu thumbnail said TEM was about a midwestern ex-cop who realizes that people's disappearances may have a supernatural bent to them.  So right away I was confused when for the first twenty or so minutes we were with underprepared Americans trekking in Bhutan in 1995.  One of them falls into a cave and when they find him, he is dazed, staring at a decidedly inhuman skeleton.  They drag him out, nearly comatose, and hole up in a nearby house while a storm rages.  His girlfriend finds a bone whistle clutched in his hand and, in the ways of stupid horror movie people, gives it a blow (not a euphemism).  Things go from bad to worse and let me just refrain from too specific spoilers by saying not everyone makes off that mountain alive.

And then we're in 2018 Missouri where nice and helpful ex-cop James Iforgethislastname (played by James Badge Dale, so we'll just go with "James") starts investigating some unusal events.  A group of teenagers play the "Empty Man game" - which is kind of like the Bloody Mary game only involves blowing across an empty bottle (KIND OF LIKE BLOWING ON A CREEPY BONE WHISTLE, EH?).  One girl disappears entirely; five kids more hang themselves under a bridge; and the last one has the world's most unrelaxing spa day.

There's also a doomsday cult and the front man is played by Stephen Root.

The Empty Man was recommended to me by my work friend Spencer: he and I have very similar pop culture tastes (he actually became my library when the public libraries were shut down in 2020, loaning me whole bags of books that I absolutely devoured), including loving horror films.  We do differ a bit: he doesn't love zombies the way I do; and he has a much higher tolerance for jump scares than I do.  He recommended TEM to me and I had to wait for a weekend viewing as, at 2+ hours, it's too long for midweek.

Spencer did mention that he felt this movie "had a lot going on towards the end" and boy oh boy.  Yes.  A very lot.  And it did seem to shift tonally throughout, and tried to be a more cerebral horror film than it really is.  There was a funny moment, when James was spying on the cultists who had just finished dancing around a bonfire, but otherwise it was rather self-serious.  Still, it's good for me to branch out, try something other than my beloved 1980s slashers.  Plus this movie came out in 2020 and didn't get much love then.  Let's give it what we can now.

Fifteenth Annual FMS Scarelicious October Movie Series: #14 Lisa Frankenstein

Set in the late 1980s, written by Diablo Cody, directed by Robin Williams's daughter, Zelda Williams, and starring Kathryn Newton, Cole Sprouse and a wicked Carla Gugino, Lisa Frankenstein is a delightful, frothy confection with a dark heart.  

After the wonderful animated opening credits fill you in on some backstory, we are introduced to Lisa (Newton).  She's a new student, in a new school, with a new evil stepmother (Gugino) and supportive stepsister, after her mother was brutally axe-murdered.  She's withdrawn (despite the cheerful and earnest attempts of stepsister Taffy to include Lisa in her social circle), preferring to spend her days in an abandoned Victorian era graveyard.  Lisa especially likes the stone bust of a young man's monument, wishing she could join him.  

She means in death - but when a freak electrical storm strikes the gravestone, the young man (Sprouse) arises from his grave and goes to find Lisa.  After her initial shock wears off, she cleans him up; later, he returns the favor, revamping her wardrobe towards a more goth vibe.  A likely friendship arises, as Lisa realizes she needs someone to talk to about her mother.  And then they go on a bit of a murder spree, to replace the monster's missing ear, hand ... and other body parts.

There's shades of/homages to She's All That and Edward Scissorhands and even Heathers here, with the quips and the makeovers and the awkwardness and the murders.  It's quite cute and funny - Cole Sprouse is very funny as the monster - with occasional bloody bits (PG-13 rating).  I enjoyed it quite a lot as a solid return to pro-girl horror-comedy for Diablo Cody (long live Jennifer's Body!)

 

Fifteenth Annual FMS Scarelicious October Movie Series: #12 The Vampire Lovers and #13 Vampire Circus

 It's Hammer [Films] time!  I'm combining both Hammer films into one post because.  Well, because I want to.  It's certainly not because I watched Vampire Circus weeks ago, wrote notes for a review and then lost the notes and forgot to post the review.  Certainly not that.

1970's The Vampire Lovers has Hammer Films' beloved, Peter Cushing, in it.  He gets top billing but he's not on screen all that often.  In any event, in the late 1700s, somewhere in Europe (Bavaria, maybe?), there are vampires in the village.  They've got a neat set-up, orchestrated by the main vamp, a tall, pale dude in a top hat, who lurks around and laughs, but not much else: a familiar, "the Countess," installs her vampire "daughter," who goes by Carmilla, Marcela, and other names, into local gentry's homes.  Carmilla seduces and drains any nubile daughter, killing or turning them, and then flounces on to the next home.  There's quite a lot of screaming and nekkid 70s breasts, but it's pretty slow.  Cushing and a small gang of townsmen end up staking Carmilla to end the vampiric menace.

1972's Vampire Circus uses the same castle backdrop as TVL does, which is funny.  In this one, set earlier than TVL, a village is isolated from its surroundings since there's a bit of plague floating around and none of then neighboring towns wants their germs.  A roving circus arrives, giving the village some entertainment.  But the circus folk are vampires and their familiars, in town to attempt to resurrect the main vamp who was defeated by the villagers years and years ago.  These vampires have HUGE fangs (no a euphemism).  This flick is terrifically campy (the attack by the black panther is obviously crew members tossing a big stuffed animal at the actors) but with some decent special effects.  It's also kind of lowkey 70s sexy, which is, I guess, a Hammer hallmark.

Fifteenth Annual FMS Scarelicious October Movie Series: #11 George Romero Presents: Deadtime Stories Vol. 2

 WHY DO I INSIST ON DOING THIS TO MYSELF?  Because I am a sucker for anthologies.  I was looking for The ABCs of Death but that was too long for a weeknight, so I ended up with this.  Aside from the charming little George Romero snippets before and after each story, this flick should be a hard pass.  I watched it for you because apparently I like to suffer.

First story: "The Gorge" - Three friends go caving in the wintertime.  There's a cave in and one of them gets badly injured, although none are unscathed.  No one knows where they are but a rescue finally shows up after about a month, when someone finally noticed their car parked at the trail head.  By then, the two survivors had eaten the third guy.  And things don't actually look up after the rescue.  The sound levels are bad [throughout all three stories, actually] and the music is jarring.  The acting is bad.  The chick's hair looks awfully clean after being trapped in a cave for a month.  This is slow and dumb but at least it's really GROSS.

Second story: "On Sabbath Hill" - A married college professor is having an affair with one of his students.  He gets her pregnant and is a dick about it, so she offs herself in his classroom in front of everybody.  Then she haunts him.  The acting is bad, the whole thing seems very amateurish.  This is slow until the "birth" scene, which is gross (but not as gross as story #1).

Third story: "Dust" - A security guard at a high security research lab has a wife dying from cancer.  The lab is testing "Mars dust" and is finding that it may have curative properties.  The guard steals some and doses his wife; for about twelve hours she is 100% cured and also a bit of a s3x maniac.  So he steals the rest of it, killing the research scientist in the process - and lol knocking his eyeball out in the process.  Of course, no one knows, or could even guess, about the side effects of consuming "Mars dust."  The high security lab is TOTALLY filmed in a high school chemistry lab.  And this is the best story of the three, which really isn't saying much.

Fifteenth Annual FMS Scarelicious October Movie Series #10: Pearl

 There's a bit of a disclaimer here, as I haven't seen the first film, X, in this Ti West series.  While I know the connection between the films, I don't think that X is a prerequisite for Pearl, and I was in the mood to watch something good.  I like the two Ti West movies I've seen - House of the Devil and The Innkeepers - so I figured Pearl was a safe bet.

Set in 1918, Pearl (the fantastic Mia Goth) is stuck on the family farm after her husband goes off to war.  She is lonely and isolated, with the country in the grip of the Spanish flu pandemic, with her father stricken and combined to a wheelchair and her mother bitter, cold and cruel in the face of what her life has become.  Pearl dreams of being a star, a dancer for the Follies, and goes to the movies as often as she can to distract herself from her own disturbing thoughts.  And actions, if her mother is to be believed - which she can, as early on, Pearl kills an innocent goose and feeds its carcass to the neighborhood alligator.

Note: I was very distracted by the alligator.  I couldn't place Pearl's accent, and with the corn fields I assumed the movie was set somewhere in the midwest.  Where there are no wild alligators.  But online research sets the movie in Texas and, yes, Virginia, there are wild alligators in that state.

Pearl strikes up a relationship with the movie projectionist in town.  I thought he was sleazy; he called himself "bohemian."  Between him and a dance troupe audition, Pearl has high hopes for fleeing her depressing, limiting life.  But after a fight with her mother, things unravel fast. 

Ti West is so good at atmosphere and mood, building suspense despite the cheerful music and absolutely no reason to expect tension.  And Mia Goth is amazing: expressive and emotionally turning on a dime.  Her lengthy monologue to her sister-in-law is incredible  And watching her hold that final rictus grin over the closing credits was truly awesome - creepy, heartbreaking and terrifying in turn.

Fifteenth Annual FMS Scarelicious October Movie Series: #9 Ready or Not (2019)

On the not-so-much-a-classic side, here's Ready or Not, a horror/comedy from 2019 starring Samara Weaving, Adam Brody and Andie McDowell.  I was going to watch The Empty Man, recommended to me by a work friend, but it's 2+ hours which is not the best idea for midweek watching.  I settled on this 1.5 hour flick instead.

Weaving plays Grace, getting married to Alex.  Alex's family is very rich and snobby, having made their money as the creators and purveyors of board games.  And if you think that sounds a little suspicious, you are not wrong.  Grace doesn't care (at first) because she grew up in foster care and is so excited about being part of a real family.  In the evening after the wedding at the family estate, after all the guests have gone home, the family - Grace, Alex, his brother David (Brody) and his wife, his parents, his aunt, his sister and her husband and two young sons - gather for the family tradition: whenever a new member joins the family, they all play a game together, which is selected by the newbie by drawing a card out of a box.  Usually it's something like Old Maid or Parcheesi.  Poor Grace draws "Hide and Seek" whereby she hides while all the rest of them (except for Alex, who tries to help her escape and gets knocked out for his trouble) hunt her down with weapons, intending to sacrifice her before dawn to ensure their continued prosperity.

And that's about it for story.  Grace runs and hides and fights back.  She gets pretty well effed up in the process but she gives as good as she gets.  Ready or Not is entertaining but lightweight - although hilariously, sloppily bloody at the end and I did enjoy Grace's arc throughout the movie.

Fifteenth Annual FMS Scarelicious October Movie Series: #8 Puppetmaster (1989)

Look at me, working my way through all these classics.  And 1989's Puppetmaster (also seen as Puppet Master) is a classic, campy start to a series that has over ten movies (really?!???).  I might check out II but I'm not going to venture too deep into the series because (1) it's ridiculous and (2) I suspect (but do not know for sure) that the newer movies have moved away practical effects.  Since the puppets are the best part, a switch to CGI will be a let-down.

We start in 1939 with a ghastly little puppet POV, running through the huge Bodega Bay Hotel (with the actual Mission Inn in Riverside, California, handling some of the location shots).  The puppet - skull-faced with a hook and an a wicked knife - makes its way to Andre Rulon's room.  Rulon, played by the iconic William Hickey, is the Puppetmaster, who can imbue inanimate objects - like puppets - with life due to some "Egyptian magic."  He tucks his living puppets away safely, hiding them in the walls of hotel, then offs himself just as two men with guns break into his room.  Dunno if those two guys were bad guys, or if Rulon himself was the bad guy.

In "present times" a/k/a 1989, four psychic friends (or, "friends") gather at the hotel.  They've all had disturbing visions compelling them to rejoin their now-dead fifth, Neil.  Alex is a professor at Yale who gets dreams of possible futures; Dana is a "white witch" and carnival huckster to make some cash; and Frank and Carissa are "researchers," most mostly seem interested in the intersection of s3x and psychic ability.  As it turns out, dead Neil found and released the animated puppets and the gang, plus Neil's nubile young wife, must fight for their lives.  SPOILER FOR OLD MOVIE: most of them don't make it.

As I mentioned above, the practical puppets are terrific, mostly filmed in stop-motion.  There's the ghastly skull guy, a pinheaded-strongman, "Drillhead," one whose face spins and, my personal favorite, a pretty girl puppet who vomits murderous leeches.  She's AWESOME.  Puppetmaster does seem a little short on story, and coherence, if I'm honest.  But I can totally see how it has claimed a cult following.

Fifteenth Annual FMS Scarelicious October Movie Series: #7 Sleepaway Camp II: Unhappy Campers (1988)

 I watched the original Sleepaway Camp all the way back in 2008, and even though the snippet I wrote about it is rather flippant, I seem a bit nostalgic for it.  So when I saw Sleepaway Camp II: Unhappy Campers pop up on my Prime watchlist, well, why wouldn't I?  I needed a palate cleanser after that awful Creepshow III.  I'm not sure SCII:UC is exactly what I was looking for, but it was certainly better than that.

The original SC was about Camp Arawak and how everyone got murdered by camper named Angela.  This sequel opens with campers at a different camp, sitting around the campfire telling ghost stories.  Someone tells the "true" story of what happened at Camp Arawak but can't remember the killer's name; they say that they heard that she got cured and released from the mental hospital she'd been put in.  At this point, a female counselor marches up to the campfire and demands that the girl camper come back to the bunk with her.  On the way back, the counselor whacks the camper over the head with a log and cuts out her tongue for telling nasty stories.  This counselor's name?  Angela.  As in, the Angela.  With that out of the way, Angela goes on quite the killing spree, ending up with at least nineteen confirmed kills by movie's end.

This flick wasn't terrible, but it wasn't particularly good either.  The kills were inventive but there was absolutely no suspense or tension since we see, plain as day, who the killer is within the first three minutes of movie.  I suppose if you hadn't seen the first Sleepaway Camp, it might have been a little surprising to find out who Counselor Angela is.  But come on - who is seeing this second one who didn't see the first one?  

It's a very 80s movie, with the hair and the high-waisted shorts and the bare boobs and the completely shitty hair band soundtrack and everyone being WAY too old to be at summer camp.  One thing I did find interesting: in the SCII:UC universe, the Nightmare on Elm Street and Friday the 13th movies exist, because two campers dress up as Freddy and Jason to try to scare Angela.  For whatever that's worth.  Oh!  And the one good girl camper who Angela likes, Molly, is played by Renee Estevez who is (1) Emilio Estevez's sister and (2) also plays Betty Finn in one of my all-time favorite movies, Heathers.

Fifteenth Annual FMSScarelicious October Movie Series: #6 Creepshow III (2007)

 I will literally never learn.  I love horror anthologies and yet they are so rarely much good.  I know this, and I should have known better than to watch Creepshow III.  And yet.  For clarity's sake, this is "horror-comedy" but it's not that funny and other than some light gore, isn't that horror-y either.  It does work really hard to connect all the stories, so points for that, I guess. COMPLETE SPOILERS AHEAD so you don't actually have to watch this yourself.

"Alice" is the first, very short installment.  Alice is a dissatisfied and mean teen who hates her suburban neighborhood.  When her police detective (this will be important later) dad gets a new universal remote, Alice somehow keeps getting transported to alt-realities and when she does manage to get back to her own, she is horribly mutated.  A neighbor, Professor Dayton (this will be important later), is the culprit, inventing the device.  Alice finally turns into a white rabbit (literary allusion!) and the professor scoops her up and takes her home.

In "The Radio," security guard Jerry, who lives on a super-sketchy block in an apartment building occupied by a lot of hookers, buys a radio from a homeless dude.  He starts hearing voices on the radio - more specifically, one voice - who tells him how to rob the pimp, kill people who get in his way, and escape with the money.  The police detective investigating the recent murders is Alice's police detective dad.

"Call Girl" is about one of the hookers in Jerry's building, Rachel, who is also very stabby with her customers.  Like, serial-killery.  She gets called out to the suburbs, just down the street from Alice's house and the professor's house, and flirts with a couple of doofuses who ogle her.  When she goes in the house, she doesn't notice that the guy she's there for has already killed the actual family who lives there.  When she kills him, it doesn't take because he's some kind of toothy monster.  It doesn't make a lot of sense.  She doesn't survive the encounter.

In "The Professor's Wife," the two doofuses who ogled Rachel have been invited to Prof. Dayton's house.  They think he's going to show them the invention he's been working on for so many years but he really just wants them to meet his bride-to-be.  They think she's the invention - a robot - and try to dismantle her.  This vignette is probably the closest to "funny" that we get.

The last chapter, "Haunted Dog," is about this asshole doctor doing community service.  He ends up accidentally killing a homeless guy, who chokes on the hot dog the doc gave him, and the guy's ghost follows him.  The doc spends a lot of time at a party peopled by toothy-monster guy from "Call Girl" but that just seems super-random.  Anyway, the doc ends up getting scared to death because this movie is SO DUMB.

Fifteenth Annual FMS Scarelicious October Movie Series: #5 Maximum Overdrive (1986)

 I didn't go watch the first Prom Night, nor did I watch Vampire Circus and I really wish I had done either of those because what I did watch was Maximum Overdrive.  I've actually been interested in watching this for some time because it's based on a Stephen King short story, "Trucks," which is pretty good.  What I didn't know about Maximum Overdrive is that King adapted the screenplan and directed the movie himself.  What I also didn't know is how much it sucks.  King has apparently "disowned" the movie (however one does that) and has referred to it as "the moron movie" - and after the experience he vowed to never direct again.

The story is that after a weird comet passes by Earth, all the machines go rogue.  This is actually kind of fun: drawbridges go up by themselves; electric knives attack cooks, soda machines fire soda cans at little leaguers, ATMs flash curse words on their screens, lawnmowers - well, you can imagine.  And all the trucks - semis, dumptrucks, steamrollers - are particularly vicious ... but for some reason, passenger cars seem to be unaffected, which seems to be a plot hole.  A bunch of people end up trapped at a truck stop where Emilio Estevez is a short order cook.  There's surviving that needs to be done; they have to pump more gas for the trucks when ordered to do so (via Morse code); some of them manage to escape.  Spoiler.  

The acting is terrible.  The dialogue is terrible.  There's no tension or sense of momentum to the story although it's maybe kind of menacing when the focus is on the machines.  I really expected better from Emilio Estevez, as this flick came out after The Breakfast Club and St. Elmo's Fire.  Seriously, the best part of MO is the music, which is all AC/DC, Stephen King's favorite band.  Do yourself a favor and find something else to watch.

Fifteenth Annual FMS Scarelicious October Movie Series: #4 Dead and Buried (1981)

 I have decided to let Prime pick my movies from now on: Dead and Buried is what automatically started playing after I finished The Prowler, and I'm perfectly happy with it.  This 1981 sort-of zombie flick stars James Farentino (overacting his little heart out), has tiny roles for Barry Corbin and Robert Englund, and features Stan Winston make-up effects.  Woohoo!

The opening scene is, frankly, the best part of DaB.  An photographer from out of town is taking photographs on the Potter's Bluff beach when a very attractive young local lady starts chatting him up.  He gets duped and then murdered quite horrifically by a mob of townsfolk, all of whom unabashedly take photos while it's happened.  Then they set it up to look like a car accident - and Sheriff Dan (Farentino) , investigating the accident, doesn't seem to be in on it.  A few days later, the photographer's doppelganger is working at the local gas station.  Also, the townspeople manage to snuff out a few more transient types: a drunken sailor and a family of three who gets lost - and their doppelgangers also show up a few days after the fact.

This is a weird little movie, sometimes unsettling, sometimes funny.  It's shot pretty dark and murky, so it's difficult to see what's going on sometimes, as people walk through dark buildings.  There is actually quite a lot of people walking slowly through dark buildings.  There isn't much story but there is a twist ending that I didn't see coming and thus appreciated.  And the Stan Winston make-up effects are AMAZING, as expected.

Dead and Buried was definitely a worthwhile excursion.  Prime wants to queue up Prom Night next - I've already seen Prom Night II ... should I watch the OG now?

Fifteenth Annual FMS Scarelicious October Movie Series: #3 The Prowler (1981)

Okay.  This was good fun, for the most part.  We open in 1945, as the boys have returned home from WWII and there's a graduation dance at a local girls' college.  One of the coeds, Rosemary, wrote her GI a "Dear John" letter and is at the dance with her new fella, a rich townie.  They sneak away from the dance to go neck at a gazebo - where they get pitchforked (not a euphemism) by a masked and uniformed soldier.  In the "present day" (1981), the college is gearing up for its first graduation dance since that ill-fated 1945 one; local opposition had shut down the festivities in the wake of the murders.  While these coeds primp and giggle and feather their hair, getting ready for the dance, an unknown individual also gets ready - in WWII combat gear.

Our heroine is Pam, a good girl who doesn't drink or have sex with her boyfriend(?), Deputy Mark - and his Cillian Murphy-esque cheekbones - who has been left in charge of the town while the sheriff goes on his annual fishing trip.  That's suspicious.  So who will "the prowler" be: the absentee sheriff, the twitchy 40 year old stockboy at the town's general store, the wheelchair-bound millionaire ...?  The dance gets under way and so do the murders.  It is up to Pam and Mark to survive the night.

The Prowler doesn't have a super high body count for an [early] 80s slasher: I counted seven victims.  The kills are really well-done practical effects - the camera does not shy away as the pitchfork and bayonet do their thing.  The pacing could have been improved: it's like they didn't have enough story to fill their ninety minutes so there's quite a lot of Pam and Mark (and his cheekbones) wandering around in dark hallways.  I give this one a big thumbs-up, though - and there's even an exploding head, which is always a good time.

Fifteenth Annual FMS Scarelicious October Movie Series: #2 Let the Wrong One In

 For our second movie, I present to you ... Giles!  As a vampire slayer!  Not quite, but Let the Wrong One In, an Irish vampire horror-comedy does feature Anthony Stewart Head (billed as Anthony Head) as a vampire hunter who is rather put upon by the goings-on around him.  And he gets cracked on the noggin a lot.  So - basically Giles.

Dublin has a growing vampire problem, due to a bacholette trip to Transylvania gone wrong.  When Matt learns that his older brother has been turned, he has to decide whether to help him or slay him.  Tony Head plays a railway enthusiast whose fiancee is the now-vampire who is causing all the problems.  That is really all there is to say about this little movie plot-wise.  It ain't complicated.

LtWOI is pretty cute actually.  It isn't at all scary but the practical effects are top-notch and very gory.  There are buckets of blood splashing all over.  There's even a training montage but, let's face it, Matt is no Buffy.  I do wish I'd turned the subtitles on as the Irish accents are really thick, and I'm usually pretty good at accents.

Fifteenth Annual FMS Scarelicious October Movie Series: #1 Bodies, Bodies, Bodies

 Wecome back to the Fifteenth Annual FMS Scarelicious October Movie Series, wherein I resurrect this mostly-dead blog to share as many horror movies as I can manage to watch in the month.  I must confess that ever since Netflix did away with its DVD program (RIP), I'm finding it more difficult to find good horror movies that I haven't yet seen.  I've seen a lot and have a preference for monsters/science fiction/80s slashers/practical effects; I don't like torture porn or heavy CGI; and I have a low threshhold for jump scares so haunted houses are tough for me.  As far as my subscriptions go, Netflix and Hulu don't have much to my taste anymore (that I haven't already seen).  Prime has some decent, older stuff.  I'm wondering about doing a month-long Shudder subscription?  I need more movies!

At any rate, the first one of October 2024 is Bodies, Bodies, Bodies.  It's a 2022 horror-comedy about a group of wealthy 20-somethings riding out a hurricane at one of their parents' mansions.  There are past relationships and new relationships in the mix, making for some awkward moments.  When they start playing the murder mystery game of the movie's title, tensions ramp up as the storm kicks into gear.  And then the host's body - real, dead body - is found.  The hurricane knocks out the power, their phones and the road back to town.  And then the bodies really start piling up, although the only mystery is the first one.

It's not super scary but has a few jump scares.  There's a nice little twist at the end.  Parts of BBB are really funny and timely, with the characters' attitudes, rationalizations and complete attachment to their phones, including an eyeball gag that is great.  One character thinks she's poor even though both her parents are college professors: "It's a state school, you guys."  Also, total shout out to Utah State!  [Note: the author of this blog lives in Utah, btw.]  I didn't recognize any of the actors except Pete Davidson and Lee Pace but viewers younger than I might have more mileage.

Oh hello

 Mr. Mouse, the dog and I recently had a week off.  We went to the desert, did desert-y things like hiking, mountain-biking, road cycling and drinking.  I also brought thirteen library books with me.  I didn't read all of them - one I forgot I'd read already, one I got about fifty pages into before deciding I wasn't into it - but I did read a bunch:

• The Woman in the Library by Sulari Gentill - A quick read, decent murder mystery set in Boston, abrupt ending
• The Echo Wife by Sarah Gailey - Science fiction-tinged (clones) domestic thriller
• Normal People by Sally Rooney - An Irish modern relationship novel about a young couple, high school through college (meh) (and I did not know it was a Hulu series)
• Shadow and Bone by Leigh Bardugo - High fantasy series, recent Netflix acquisition that now I'm going to have to go back to because I liked this book quite a bit
• Silver Nitrate by Silvia Moreno-Garcia - horror-ish about 1990s Mexico City and its film industry, plus sorcerors
• The Various Haunts of Men by Susan Hill - Decent British murder mystery (I do love a good British murder mystery) although it seems weird that it's the start of the "Simon Serailler series" when Simon himself plays a very small role - maybe he gets more to do in subsequent books?
• How the Light Gets In by Louise Penny - Continuing Canadian murder mystery series starring Chief Inspector Armand Gamache and crew
• The Long Way Home by Louise Penny - The next in the Chief Inspector Gamache series, which is just fanastic if you like murder mysteries (great characters, solid mysteries, makes me want to move to a small village in the Quebec woods)