Wednesday, July 19, 2017

Preacher recap "Dallas" S2E5 7/17/17

Picking up immediately where we left off last time, Jesse is in the middle of choking Viktor while Tulip tries to explain that she was never in love with Viktor and that she is only here to get him to sign the divorce papers.  Jesse is enraged, however, and not to be reasoned with.  He drags Viktor down to the torture room and strings him up in the harness.  Tulip is all I'M SORRY BUT YOU CANNOT KILL VIKTOR and Jesse snarls and uses the Voice on her: "GET OUT."  Her face is shocked and horrified as her feet shuffle her backwards out of the room.  Her parting shot: "Remember Dallas, Jesse? I don't wanna to do that again!"

Dallas.  Right after the botched bank job, when Carlos runs away without them and Tulip has a miscarriage.

Three months later.  Tulip has a job working for a realtor while Jesse seems to be doing nothing but a little bartending, plus hanging around their apartment, drinking beer and watching t.v. with a pothead buddy Reggie, who takes women's studies classes and uses the pages of a Bible to roll his joints.  One night, Tulip has invited Dani over for dinner - she's making "peanut butter potroast" - and Jesse is unhappy about that.  He seems to like (?) their life and isn't interested in working for Dani again; he has left that life behind.  The Dani scene is funny as she is completely disdainful of their current situation (and Tulip's cooking is apparently disgusting).  She tries to tempt them with some jobs - insurance scam in Santa Fe, connected guy in New Orleans looking for some general subcontracting stuff, killing her ex-husband - but Jesse insists that they aren't doing any of that anymore.

What they are doing is pretty bleak, as shown in a montage of:  them waiting for the results of a pregnancy test (always negative); having joyless, passionless sex; Jesse trudging past a church to the local convenience store to buy beer, cigarettes and a new pregnancy test.  Over and over and over again.  Over and over again.  It is sad and hopeless and it never seems to end.

Now, New Orleans.  Tulip has brought Viktor's daughter Ellie back to Dennis's house while Jesse tortures and/or kills Viktor.  Cassidy rolls with it pretty well.  They send Ellie in to watch t.v. with Dennis and once the door closes, Tulip rips into Cassidy for telling Jesse where she was.  Actually, she punches him in the nose first.  He explains that he was just worried about her - but she sees through him a bit, knowing that he likes her and is only conflicted about doing anything about it because he considers Jesse his friend.  She is worried: "I swear to God, if Jesse kills him, we are done" and Cassidy sees an opening.  He jumps up and says he's going to go talk to "that mad bastard."

Dallas.  After having walked past that church so many times in the montage, Jesse starts to pray when they're waiting for the pregnancy test results.  He even makes Tulip go with him to church; she doesn't look to be getting a lot out of it.  One day, when Jesse and Reggie are bumming around the apartment, the smoke alarm goes off (too many joints).  When Jesse goes to turn it off, he finds a plastic bag of cash stuffed into an air duct.  When Tulip comes home from the "real estate job," he confronts her, asking how long she's been back working for Dani.  It starts to get tense and Reggie tries to leave, but Jesse tells him to stay.  Tulip says that she's doing what she's good at, what they were good at until Carlos.  Jesse starts to get nasty and she reminds him that what happened hurt her too.  Oh yeah, he snarls, then what are these?, and holds up a package of birth control pills.  Her face falls - Reggie tries to leave again - and she apologizes, but says that this life Jesse seems to want seems wrong to her.  "I'm an O'Hare, Jesse!  I don't know how to do it!"  Jesse: "Oh, right.  Or maybe you don't deserve it."  They keep sniping at each other and Jesse gets more and more angry.  Then poor Reggie makes the mistake of saying something and Jesse beats him, really badly.  It's pretty awful.  An untold amount of time later, as Tulip gets ready to leave for another Dani-job, Jesse absently tells her that he's going back to Annville: his dad's church belongs to him and he's going to be a preacher.  Tulip: "Good luck with that."

Now, New Orleans.  Cassidy makes his way into Viktor's house, noting all the henchmen still frozen into position after Jesse's Voice.  He finds Jesse up in Viktor's bedroom, staring listlessly at the photograph of Tulip and Viktor's wedding day.  Cassidy blathers on pointlessly for a while.  Jesse interrupts him to ask why he should ever trust the vampire again after all the lying he's been doing, probably since the casino.  Cassidy:  "Ah, you're right.  I'm a right bastard ... a greedy, selfish, destructive, jealous ... but you see, that's the difference between me 'n you.  If some muppet had their hands on my girl, and I'm not ashamed to admit it, I don't think I'd be very restrained at all ..."  Jesse's all, if I kill him, it'll be over between me and her.  Cassidy, sneakily, passive-aggressively, is all, nah, Jesse and Tulip - that'll never change.  Because, you see, he's hoping to have goaded his friend into it - to be there to scoop Tulip up when she leaves Jesse.

After Cassidy has left, Jesse goes back down to the torture room and sharpens an axe.  Viktor has had about enough of hanging from that harness and he says that the reason Tulip married him was because Jesse was an asshole to her and Viktor was nice.  Jesse grimaces and takes a swing with that axe.

Back at Dennis's, Tulip and Cassidy wait for Jesse to come back.  When Jesse comes in, he goes straight to the fridge and gets a beer.  Tulip:  what did you do?  Jesse: I took him down.  Tulip starts to freak out.  Jesse: What? What's going on?  Why's everyone so - I took him down.  Tulip:  Took him down how?  Jesse: I cut his harness off from the ceiling - I didn't kill him - got those divorce papers instead.  As Tulip throws herself into Jesse's arms, Cassidy is all, "Oh thank god.  I'll go tell the little girl that her daddy is still alive."  Jesse whispers to Tulip, "I'm so bad for you."  She whispers back, "We're bad for each other."

A few years back.  Tulip and Viktor, married, are playing Monopoly in their bedroom.  Their rapport is pretty cute but when he tells her he loves her, she can only say thank you.  When he gets called away for a bit of business (possibly in the torture room), she gets a phone call.  It's Dani and she's found Carlos.  By the time Viktor returns to the bedroom, the Monopoly board has been upended and Tulip and all her stuff are gone.  Viktor is sad.

Now, New Orleans.  That night, Ellie is unsurprisingly having trouble sleeping.  She asks her dad to read to her and Viktor is happy to do so.  They are interrupted before too long by the sound of a fusillade of gunfire downstairs.  Viktor tells the little girl to hide in the closet.  The bedroom door explodes into splinters because, of course, the Saint of Killers has tracked Jesse's Voice.  He blows Viktor away with one shot when Viktor won't tell him where Jesse is.  Then, hearing a whimper from the closet, the Saint trains his gun on Ellie.  She's a cool customer, however, and she says, "The preacher?  I know where he is."

Previously on Preacher / next time on Preacher

Thursday, July 13, 2017

Preacher recap "Viktor" S2E4 7/10/17

After relieving Tulip of her gun, Viktor's goons take her to his mansion.  They leave her to wait in Viktor's.  From behind closed doors come three men's voices: two talking, one screaming.  Viktor comes out of the screaming room (he was NOT the one screaming) and just stares at Tulip: "So, what are we going to do with you?"  She can't meet his eyes and is struggling not to burst into tears.  Meanwhile, Jesse has made his way to Dennis's place where he catches Cassidy up on his first night's search for God adventures, and Cassidy too-subtly tries to get Jesse worried that Tulip is gone.  Jesse's all, eh, we're in a fight, it's not unlike her to disappear.  He goes to take a nap while Cassidy frets.

Also meanwhile, down in Hell, the cellblock software running the inmates' individual hell scenarios is glitching.  Everyone comes out of their cells and mills about in the corridor.  [I feel like I should be able to pick out various denizens: there's Tyler, an 80s frat boy, a gypsy woman (whom Eugene defends when the fratboy harasses her), a woman in cat-eye glasses and pearls, a flapper ... and Hitler, of course.  Hitler is quite pleasant, actually, sticking up for Eugene when the fratboy comes for him, and then inviting the boy into his cell when Eugene gets locked out of his own.  Curious to see what Hitler's worst memory might be, Eugene goes in: Munich 1919, Hitler is having lunch with a pretty lady friend in a genteel cafe, where she encourages him to show his paintings to a potential patron and, when a yarmulke-wearing man bumps Hitler's chair, the future Fuhrer apologizes first, saying it must have been his fault.  The software glitch shuts the memory scenario down before things progress, leaving Eugene all, WTF?  That's your worst memory?  You're awfully nice for fucking Hitler!

Viktor's house.  Now Tulip is actually in tears.  Viktor hands her a tissue and tells her to stop crying because that isn't going to fix things.  He says, "I brought you in, trusted you, made you a part of my family.  And in return you made a fool out of me."  He tells her that she better think of an explanation better than "I'm sorry" because that won't fix things either, suggesting that she walk around the house and get a grip on how things stand.  (Meanwhile, Cassidy is incessantly texting her: RU OK?)

Jesse and Cassidy.  After watching a post-Hurricane Katrina infomercial, Jesse and Cassidy recognize one of the actors as the guy who played Fake God back in the church at Annville.  They decide their best/only lead is to track him down.  Also, Cassidy again tries to get Jesse interested in where Tulip might be but Jesse again shrugs it off, saying that since they're in a fight, she's off bein' mad at him - shoppin', shopliftin', cheatin' at cards.

Hell.  The Hell cellblock administrator calls in a tech who says the repair will take a while, maybe a full reset.  She orders Eugene out of his cell (and the tech gives him a funny look when he goes, like maybe this glitch is happening for a reason) and takes him to her office.  She gets a phone call, which on second viewing I realize is about the Saint of Killers: "[her side of the call] What do you mean he's gone?  How could that happen?  Who let him out?  Well, someone better find him or we'll have to answer to You-Know-Who."  After she hangs up, she tells Eugene that she has reviewed his hell scenario and says that he seems like a nice, sweet, kind, loyal boy - and that Hell has no place for that sort of behavior:  "This is Hell.  Act accordingly.  We will be watching."  If he keeps it up, she'll put him in the Hole; the enormous guard pries up a manhole cover in the floor - entrance to the Hole - and Eugene cringes at the screams and wails and growls wafting up out of it.  In the meantime, she'll put him in Holding with the rest of his cellblock.

Viktor's house.  Tulip walks around, trying to talk with goons playing poker, goons and cooks in the kitchen, Viktor's young daughter even, and they all give her the cold shoulder.  The little girl even spits at her and says she hopes her father kills her.  Tulip seems stricken.  But she is still resourceful, trying to break into a gun safe.  One of Viktor's goons catches her, smirking that they changed the combination after she left, so it just takes her three or four punches to knock him out and grab his gun instead.  Thus armed, Tulip heads upstairs.  She finds Viktor in his bedroom and gets the drop on him.  But before she can do whatever she's intending to do, the torturer from downstairs sneaks up behind her and knocks her down.  The torturer offers to take care of things but Viktor waves him off, saying he'll handle Tulip.  Lying on the floor, she can just shake her head, nose streaming blood.

Jesse and Cassidy.  The boys track down the Fake God actor to his agent and, when Cassidy says that they're casting for a Game of Thrones recurring part (possibly series regular), the guy plays right into their hands.  Of course, the agent doesn't actually know where the actor is - he disappeared several weeks ago after the last gig he booked, "an out-of-town understudy part," you know, GOD - but he does give them a copy of the guy's audition tape.  When they watch it, the most notable part about it is that at the end, after the off-camera people tell him he is hired, they shoot him dead.  Cassidy's a little shocked but Jesse's all, well, guess he had to die for them to get him to Heaven.  There's a glimpse of the shooter's hand in the frame and Jesse homes right in on that, trying to figure out how to identify the shooter from just that shot.

Hell.  In Holding, Hitler continues to be friendly and nice to Eugene, baffling the boy.  But then the fratboy gets in Hitler's face and knocks him down, beating him.  Eugene watches in horror as the rest of the group joins him, stomping Hitler bloody as he cowers on the floor.  Eugene stands up and shouts at everyone to stop.  Then he takes a quick look at the closed-circuit camera in the corner of the room, and remembers that the administrator said she was watching, and then Eugene joins him, stomping and kicking and beating the one person who has been kind to him in Hell.

Jesse and Cassidy.  Cassidy finally gets through to Jesse that Tulip might be in trouble.  The vampire is all, but she made me promise not to tell.  Jesse grabs him by the shirt: where is she?!?

Viktor's house.  Jesse wastes no time using the Voice, gaining entrance to the mansion easily.  The torturer catches him unawares but when Jesse regains consciousness, a pretty epic smackdown between the two of them gets underway.  Jesse can't use the Voice on the torturer because the guy is wearing earbuds (blasting "Uptown Girl" by Billy Joel of all ridiculous songs).  Their fight goes on much longer than one might think - particularly since one might think it would be fairly easy for those earbuds to be dislodged or yanked out - but Jesse finally prevails, impaling the other guy.  Just before he croaks, the torturer gasps out that Tulip is in the bedroom.

Jesse marches upstairs and kicks in Viktor's bedroom door.  Viktor and Tulip are sitting (innocently, all clothed) on the bed but Jesse grabs Viktor around the neck, dragging him to the floor and choking him.  Tulip's all, Jesse, stop! Stop!  Nothing is getting through, however, so she steels herself and admits, "Jesse, you can't kill him.  He's my husband."  And Jesse, not loosening his grip much at all, gives her some SERIOUS side-eye at that.

Road into New Orleans.  All that Voice-shouting has caught someone's attention.  The Saint of Killers is closing in.

Previously on Preacher / next time on Preacher

Thursday, July 6, 2017

Preacher recap "Damsels" S2E3 7/3/17

Oh, hey!  There's Eugene!  He's riding a bike and his face isn't all fucked up and he goes to his best friend Tracy's house.  She's all sad about her boyfriend cheating on her and she's decided to kill herself.  Eugene, stricken, tries to talk her out of it and almost succeeds, except he takes advantage of what he thinks is a Moment and gives her a little kiss.  She recoils in disgust and grabs that shotgun.  Eugene lunges for it just as she pulls the trigger: as we know, the shot takes the top of her head off but doesn't quite kill her.  As Tracy's mom pounds on the locked door, Eugene TRIES TO SCOOP THE BRAINS BACK INTO TRACY'S HEAD.  Oh uck.  He panics, grabbing up the gun his own self and - bang! - off-screen, but we know how that turned out.  And then it all happens again.  And again.  Eugene is, of course, in Hell.  On the plus side, we now know that he didn't shoot Tracy, like everyone thought in S1.  Then there's a glitch in the Hell-system and the loop stops, leaving Eugene alone in a drab, gray cell.

Jesse, Tulip and Cassidy arrive in New Orleans.  [Why does it bother me so much that Tulip always wears her sunglasses down on the end of her nose?]  Making their way down Bourbon Street, Jesse is determined to find God.  The first time he goes into a bar and says they're looking for God, they get taken down the hall and out the back and into a downstairs dungeon for some shady looking sex with a dude in a dog costume.  Oops.  Not quite.  They go back to Bourbon Street and while Jesse is as yet undeterred, Tulip, frazzled by being in Victor's town, has had enough.  She takes off to find them a place to stay.  Cassidy waffles a bit but then follows her, leaving Jesse to fend for himself among the jazz dives, beer bars and neon discos.

[Something else that bothers me: I know New Orleans is all about go-cups, and I fully support mobile drinking, but I find it horrifying the amount of plastic that must be thrown in the trash on a daily basis.]

Apparently Cassidy also knows someone in New Orleans, taking Tulip to an amazing, slowly rotting Victorian mansion occupied by one Dennis.  Cassidy speaks highly of him but grumpy Dennis, who seems to speak only French - which neither Cassidy nor Tulip speak - grudgingly lets them in.  [I don't speak French either but I have the sneaking suspicion that this guy isn't actually Dennis?  I think maybe he said "Dennis is not here" - any French-speakers out there?]  Cassidy finds Tulip pacing and asks her what's wrong.  She tells the vampire that she screwed Victor and now she's here in [Victor's] backyard.  She doesn't want to tell Jesse so Cassidy volunteers to help.  She rebuffs him and he snaps at her a little, reminding her of how much he has actually helped and insisting that she tell him the truth.

Finally, after asking countless people if they've seen God, Jesse finds a bartender who tells him to go talk to the singer at a jazz club.  He does, after listening to her torch song and then watching her get the better of a doofus who thinks he can pick her up.  When Jesse asks her about God, she gets squirrelly and tries to ditch him, but he sees her getting snatched up by white-clad masked men driving a van.  Jesse runs outside, commands the van-driver to STOP, using the Genesis voice (and thus sending up a flare for the Saint of Killers, who does not make an appearance this episode but who must be on his way now).  The van stops, Jesse and the white-clad men fight.  He manages to subdue them, helping the chanteuse out of the van.

She takes him home, where she has a baby waiting.  While she packs a suitcase, Jesse asks her about God.  She is nervous, saying that those men were part of a super-secret crypto-religous fascist organization with designs on world domination, which she learned from a former bar patron who told her one night that God is missing, that this group was after him and then, days later, said bar patron washed up in the swamp, dead.  She presses Jesse about how he got the van to stop and he reluctantly gives her an example of the Genesis voice (flare #2).  She's like, oh, yikes.  Jesse puts her in a cab to the airport and she tells him good luck with his God search.

Jesse is feeling pretty good about rescuing a damsel in distress until he sees a spooky poster for some place called "Angelville" that freaks him out for a bit.  He goes into a bit of a trance until awoken by a phone call from Tulip.  She's babbling on the phone and Jesse knows something is wrong.  But she still can't bring herself to tell him what's going on and they hang up on each other.  Frustrated, Tulip grabs her jacket and tells Cassidy that she's going out for some smokes.

Back in Hell:  Eugene's cell door opens.  He walks out into a deserted corridor, empty except for a dude who looks like Hitler.  Because, Hell.

While Jesse finds himself enjoying the music at yet another jazz club, we learn that the lounge singer is more than meets the eye.  She climbs into the white-clad dudes' van, pulling off her blonde wig.  The bartender who sent Jesse to her in the first place asks for an update and she confirms that whatever it is the preacher has, it's for real.  It's time to send it up the chain of command.  In an office somewhere, a file with Jesse's name on it lands on the desk of a one-eyed dude named Herr K. Starr (there is also a file entitled "Pig" and I'm super-curious about that).

Finally, Tulip makes her way to a laundromat.  She gets change and goes to the cigarette machine.  As she feeds coins into the machine, the other laundromat patrons skedaddle when a whole bunch of black-coated men file in and order them out.  One of these guys has a walkie-talkie and he calls Victor, saying "We got her."  Tulip turns to face them calmly.

Previously on Preacher / next time on Preacher


Friday, June 30, 2017

Preacher recap "Mumbai Sky Tower" S2E2 6/26/17

So, the Genesis voice does not stop the Saint, who keeps coming, raising his gun and firing at Jesse.  An unlucky delivery van happens to be driving by.  One of the Saint's giant bullets goes through the van, turning the driver to slush.  The van swerves, runs into the Saint and crushes him against a streetlight.  Jesse's all, whew!  Behind him, a posse-worth of gun nuts (there is a "Gun Aficionado convention staying at the same motel) run out, clutching their various firearms.  As everyone watches, and Jesse's relief dissipates, the Saint emerges from the wreckage, Terminator-like, and keeps on coming towards his prey.  Jesse uses Genesis to command the gun aficionados to "stop him" and they simply POUR bullets into him.  He stops, shakes it off, and raises his own guns, methodically dispatching every single aficionado even as Jesse Voices at them to RUN.

Drawn by the ruckus, Cassidy drags Jesse back to the motel so they can collect Tulip and go.  Unfortunately, she has found a news report on t.v. about how Annville got all blowed up.  She is stunned, and Jesse gets drawn into watching as well until an errant bullet destroys the t.v. and they all run for it.  The Saint works his way up and down the motel, blowing everyone he sees away.  The body count is high, y'all.  He almost corners them but they escape through a window and drive off.  The Saint is a little perturbed by this, his quarry continually escaping.

The next morning, Cassidy says he thinks he knows who might be able to help them.  You see, last night, while Jesse and Tulip were getting it on, Cassidy was watching t.v. and saw an ad for a casino magician, the amazing Ganesh, and he recognized him as Fiore, one of the two angels who tried to reclaim Genesis back in S1.

A COUPLE OF DAYS AGO

In a very nice, wordless sequence, we see that Fiore is adrift following the Saint's killing of his partner, Deblanc.  He finds his way to a casino, the Mumbai Sky Tower, and tries killing himself over and over again - which never works because of the whole angel-regeneration thing (unless killed by the Saint of Killers).  Eventually, the lounge singer notices him and they work up an act that becomes very popular:  the lounge singer kills Fiore/Ganesh in any number of gruesome ways and Fiore/Ganesh regenerates right back.

Jesse, Tulip and Cassidy go to the Mumbai Sky Tower to find Ganesh.  Tulip isn't feeling it - still shocked about Annville - and leaves the boys to it.  They speak with Fiore, who is completely uninterested in helping them get the Saint off their trail - he hired the Saint, after all.  The angel blows them off but Cassidy has picked up on his ennui and tells Jesse to leave it to him.  Jesse goes to find Tulip, who is sad about losing her uncle Walter, who was a drunk but her only remaining family.  Jesse's all, he doesn't have to be your only family - let's get married!  Tulip:  "Excuse me?"

Meanwhile, Cassidy is waiting for Fiore in the angel's room.  When Fiore comes back after his show, Cassidy convinces him to get high - they both get SUPER high - and in another charming, mostly wordless sequence, run around the room together, giggling, building forts, tossing frisbees, drinking champagne, sobbing in each other's arms in the hot tub.  More than anything, Fiore has been lonely since Deblanc's death.  Cassidy has picked up on this and without overtly pressuring the angel to change his mind about helping with the Saint, tries to bond with him.

There's a long line ahead of Jesse and Tulip at the lobby wedding chapel and when they go to the bar to drink while they wait, Tulip sees a big dude staring at her.  She tells Jesse she's going to go change her shirt and when she comes out of their room, the big dude is waiting for her.  Tulip:  "Heyyyyy, Gary."  Gary: "Hey, Tulip.  Nice shirt."  It seems that Gary works for a Victor - who owns casinos all over Texas and Louisiana - and it seems that Tulip has some history with this Victor.

After a chat with the lounge singer (while waiting for Tulip), Jesse figures out that if God likes jazz, they will likely be able to find him in New Orleans.  Cassidy finds him, telling him that [he assumes] Fiore will take care of the Saint; Jesse's all, great! and we'll go to New Orleans after Tulip and I get married.  Cassidy:  Married?

Up in Jesse and Tulip's room, Gary says that Tulip needs to talk to Victor, like, now.  She doesn't want to.  He presses the issue.  She refuses again.  So then they fight.  Gary is huge, picking her up by the neck and tossing her around the room.  She manages to get some good licks in, however, finally beating him (either unconscious or dead, hard to say) with the heart-shaped buzzer the wedding chapel handed out for the wait.  It's now that Cassidy shows up - "Jaysus! What happened?" - and Tulip snarls at him, "Do not tell Jesse!"  Then the heart-shaped buzzer goes off.  Time to get married.

Jesse and Fiore are in the wedding chapel, waiting.  Jesse confirms that Fiore will call the Saint off and then he can use the Genesis voice again.  Fiore's all, no, you really shouldn't, it's bad - and what else is bad is that boy you sent to Hell.  Jesse: Eugene?  Fiore was supposed to get him out of Hell but is all, nope, it's terrible down there, I can't do it.  At least Eugene isn't completely forgotten.

Tulip finally shows up and says no, she doesn't want to get married - they don't need to.  They all go out to the car.  Fiore asks where they're going next and Jesse tells him that they're going to follow the music and go to New Orleans.  Tulip shivers: Victor must be in New Orleans.  Fiore has told Jesse that the way the Saint is tracking him is by homing in on the Genesis voice, so before they drive away, Jesse uses the voice to tell the angel to FIND PEACE.

This brings the Saint to Fiore.  Their deal still holds: if the Saint kills Genesis, he will see his family again.  Fiore tells him that Jesse is heading to New Orleans but he needs him to do one more thing.  So out in the evening Ganesh show, the Saint shoots Fiore, actually killing him so he can't regenerate.  The audience boos loudly - that's not what they came to see - but the dead angel has a beatific expression on his face.  It seems he has, in fact, found peace.

Previously on Preacher / next time on Preacher

Tuesday, June 27, 2017

Preacher recap "On the Road" S2E1 6/26/17

Hey there, y'all - welcome back to the Preacher recaps!  If you've forgotten what happened last time (since it's been nearly eleven months), there's a link down bottom to prior posts.  Let us begin!

THE SEARCH FOR GOD

DAY ONE

Our heroes - Jesse, Tulip and Cassidy - are on the road in Tulip's car, shooting the shit and talking about nothing the way you always do on a road trip.  They now know that God is missing and they're off to find him.  Around the time that "Come On Eileen" comes on the radio, Tulip has blown by a cop doing 97.  The cop gives chase, a few others join him and Jesse suggests that maybe she outrun them, just for fun.  Tulip notes that they're low on gas ... but okay.  The show switches over to a grindhouse-film look - grainy, with scratches and skips in the frames - as Tulip easily ditches the cops.  And just as they've gotten clear, her car runs out of gas.

The cops surround them and drag them out of the car.  Cassidy insists that he needs his umbrella or he'll burst into flame.  The cops are not inclined to believe him, of course, so he dashes across the tarmac and dives into one of their cars, smoking slightly and singed around the edges.  As the cops menace them, Jesse asks Tulip if it's okay if he uses the Genesis voice.  She doesn't like it but it's clear they aren't going to talk their way out of it.  So Jesse uses the VOICE, telling the head cop to mace his own nuts, another one to recite "Yellow Rose of Texas," another couple to hold hands, etc.  He's just getting into it when, from out of nowhere, massive bullets start flying, splattering cop bodies and heads into red slush and generally being terrifying.  It's startling and gory and awesome.  As Jesse fetches Cassidy, who has been hiding from the sun and/or shooter under a car, Tulip manages to siphon gas from one of the cop cars ... using a length of someone's intestine.  Seems gratuitous, especially with the intestine flopping around behind the car as they drive off.  Jesse and Cassidy peer out the back window as Tulip drives away, trying to make out who's been shooting at them.  It's the Cowboy, obviously.

Some ways down the road, the kids stop at a convenience store.  Cassidy instructs Tulip on how to get the taste of blood/intestine out of her mouth:  hot sauce, followed by Yoohoo.  Jesse uses the Genesis voice to tell the convenience store owner to just pretend they weren't there.  They try to figure out why they were being shot at and finally deem it to just be an unlucky start.  Cassidy:  "Smooth-ish sailing from here on out."  A little later, after they've left, Jesse's Genesis instruction works out poorly for the convenience store owner: the Cowboy walks up and inquires after "Preacher."  The man is literally unable to give him any information and so the Cowboy reaches in and rips out the poor guy's tongue.  Eeeuw.

Jesse has decided that they need to consult a religious scholar/family friend he knows, figuring that if anyone knows where God might have gone, it would be a man who studies such things.  Tulip and Cassidy (mostly Tulip) are skeptical, then, when they drive to a rundown rural ranch.  While Jesse goes to meet up with his friend alone - the man is apparently a little skittish around strangers - A still-smitten Cassidy tries to convince Tulip that they should tell Jesse about their hook-up.  Tulip:  "I'm going to try not to exaggerate here but out of all the stupid things you've ever said, that is the stupidest."  Cassidy: "I don't think that's true."  They are distracted from this conversation when they discover a girl locked in a cage in the garage.  Before they can get her out, Jesse shows up with his scholar-friend, Mike.  Mike gruffly explains that the cage is part of the service he offers his parishioners: cold-turkey cage cure for drinking, drugs, Internet (the current girl in there is an Instagram addict or some such).

They go into Mike's house and Jesse explains what's been going on.  Mike is not surprised to hear that God has gone walkabout; he hasn't heard Him when he prays of late.  He doesn't have any hard answers for them - and scoffs when Jesse wonders if there's anything in any of his books - but does say that one of his parishioners (Tammy) recently seems to have been scared straight when she saw God.  Jesse's all, God is here?  Mike gives him Tammy's business card and, after an uncomfortable night with all three of Cassidy, Jesse and Tulip in Mike's guest room, the kids head off to talk to this woman.  It isn't long before the Cowboy is at Mike's doorstep.  But Mike recognizes him (we have a name: the SAINT OF KILLERS) and is ready for him.  Before the Saint of Killers can make him talk, Mike stabs himself in the heart with a small knife.

The kids go to a strip club that Tammy runs.  An excellent jazz trio - not what you would expect in this kind of joint - is playing on stage.  While Cassidy goes off to find himself a lap dance, Jesse and Tulip meet with Tammy in her office.  She is not inclined to talk to them but eventually admits that yes, God was there.  Behind Jesse and Tulip, on the video monitors, Cassidy is tangling with the club's security for having put hands on the stripper.  Tammy doesn't want to tell Jesse and Tulip why God was there (they think it was for one of the girls) and so they discuss, in front of her, if he should use Genesis on her.  She gets more and more fidgety; on the video monitors, the security guy and Cassidy are wrestling over the security guy's gun.  A nervous Tammy stands up, pulling a knife.  And then, through the wall, the security guy's gun goes off, striking Tammy in the chest.  As she dies, Jesse uses Genesis to ask what girl God had come to see.  She scoffs, calling him an idiot and telling him that God came to the club for the jazz.

That night, they go to a motel, Jesse and Tulip in one room, Cassidy in the adjoining one.  To blow off steam, Tulip locks herself in the bathroom.  It's a thing they do: Jesse knocks the door down and then they have surprisingly sweet, cathartic sex.  Later, Jesse goes outside for a cigarette.  He looks down the street and there, walking in and out of the patches of light from the streetlights, comes the Saint of Killers, implacable.  Jesse shouts STOP at the approaching man, several times, using Genesis.  The Saint of Killers does not, in fact, stop.  Uh-oh.

Previously on Preacher / next time on Preacher

Wednesday, June 14, 2017

In the meantime

Things will pick up around here soon, once Preacher gets going again. 

In the meantime, I was recently back east - Midcoast Maine - to see family and was introduced to two new (to me) brewpubs.  Maine has a ridiculous number of breweries (both production and brewpubs).  There's a beer trail you can follow, with more than 80 breweries all around the state.  Go out and explore! The two I went to are:

Oxbow Beer - We went to the Newcastle location (there's a tasting room in Portland too) and it was SO MAINE.  Difficult to find/in the middle of nowhere/tiny little sign on the road.  Surrounded by trees, the small tasting room has three picnic tables outside, so you can swat mosquitoes and pet the friendly cat while you drink beer.  Port-o-johns available in the parking lot.  Every car in the lot on that Sunday afternoon was a Subaru.  And all the late 20s/early30s post-modern hippie women were wearing galoshes with their skirts. 

Flight Deck Brewing - The Flight Deck has a problem.  They intended to use their Brunswick brewery (located in the former shooting range at the old naval air station) to produce beer to sell to area restaurants.  But their tasting room has become so popular that they can't keep up with demand and are selling way more retail/to individual imbibers than they planned.  Good problem to have!  They have an arrangement with local food trucks too so (a) dogs are allowed in the tasting room because there's no kitchen and (b) good food awaits just outdoors.

Monday, May 29, 2017

Mini movie review: The Witch (2015)

The Witch was a sleeper hit in 2015, making the rounds and surprising everyone who saw it by how scary it was - because no one saw it coming.  This little horror movie, set in 1630 and feeling extremely legitimate in terms of dialogue (much of it taken from period diaries and court transcripts), costume and set, is very good.  No, there's not a lot of gore or jump scares.  But this Pilgrim family, cast out of their walled town for their not-quite-in-line religious beliefs, is in for it.  Their crops rot on the vine.  The baby mysteriously disappears while his oldest sister is watching him.  The young twins are bratty and horrible.  The second oldest, Caleb, goes missing in the dark, dank woods when he is supposed to be checking the trap line.  And the oldest girl, Thomasin, is accused by her little siblings of being a witch after she torments them.  The parents are isolated and at their wits' end, laying blame where they can, justified or not.

And there's an evil goat.

I am not doing the movie any favors with this flippant little review but it is quite good.  You can easily imagine how the Salem witch hysteria got going from watching the twins; what The Witch makes you ask is, what if there was actually good reason for that hysteria?

Image result for the witch

Monday, May 15, 2017

Iron Fist in 150 words or less

I finally finished slogging through Marvel/Netflix's fourth individual Defenders series, Iron Fist.  It took me forever because Danny Rand, as played poorly by Finn Jones, was a petulant child and was in no way convincing as the Greatest Martial Arts Warrior Ever.  Every now and again it was funny (Davos: "Wow, you really are the worst Iron Fist ever."), and per usual Rosario Dawson killed it reprising her through-line role as Claire Temple.  But I really only finished it to be a completist and now am eager to see The Defenders, if only to watch Jessica Jones roll her eyes and call Danny Rand out for being a whiny little bitch.


Saturday, April 29, 2017

Mini movie review: Red (2010)

Red is a light-weight action comedy about a group of retired spies coming together one last time to close a case that happened decades ago.  It should have been much better than it was, based on the cast alone.  Helen Mirren.  John Malkovich.  Morgan Freeman.  Bruce Willis.  Mary Louise Parker.  Brian Cox.  Richard Dreyfus (whom I didn't recognize at first).  Karl Urban.  Don't get me wrong - I found it entertaining for a Friday night zone-out.  Mirren, Freeman and Malkovich seem to be enjoying playing against type.  Willis doesn't do much more than smirk and act tough, although he looks to be in some of the best shape of his life.  But the tone is uneven and an awful lot of bullets fly around without actually hitting all that many people, so the over-the-top violence seems inconsequential.  I liked Red well enough while I was watching it but the more I think about it, the more I have to give it a shrug and a meh.  No harm, no foul, I guess, but no great shakes either.

Image result for red movie

Thursday, April 20, 2017

In absentia

Good lord n' butter, I went on an unintentional hiatus here.  The Walking Dead finished up its mediocre season and I just went AWOL.  Well, I'm not back in any big way yet but thought I'd check in to prove that FMS has not been entirely abandoned.

Upcoming:  Season 2 of AMC's Preacher starts back up on Monday, June 19, and I am all excited about getting back into that brand of batshit-crazy.

Ongoing:  I have been trudging through Netflix's Marvel's Iron Fist and I have to say that it is tedious in ways that none of the prior three Defenders series - Daredevil, Jessica Jones and Luke Cage - were.  The main character is a doofus, really, who is supposed to be the greatest martial artist on the planet.  Finn Jones in no way makes me believe that Danny Rand is an amazing fighter.  And I'm supposed to care about the sibling shenanigans with a big billion-dollar corporation?  The prior three "street level" heroes were all just scraping by: a blind man; a broken, abused, alcoholic woman and a wrongfully-accused black man and now I'm supposed to care about a poor little rich boy?  No thank you.  Seriously, the best part about Iron Fist is whenever Claire Temple (Rosario Dawson) is on-screen, rolling her eyes at what a twit Danny Rand is.

In print:  I've caught up on all The Expanse novels (and am also enjoying the television series on SyFy) and now what am I going to do?  When does the next one come out?  I guess I'll have to track down the novellas and short stories (or else just hope Joe Abercrombie comes out with something soon).

What about you?  What are you reading/watching these days?